Here we go...the next part of my long and mostly incoherent ramblings on a
category that nobody cares about but me for an award that has proved
time and time again that they're not the best judge of quality
animation. Anyways now we reach 2005, the year that Brokeback Mountain
seemed to be riding high until it crashed and burned in front of the
finish line. The main storyline for me was whether or not Hayao Miyazaki
could win his second Oscar for Hauru no Ugoku Shiro (unfortunately, he
wasn't. He succumbed to the immovable force that is Wallace and Gromit.) Best Animated Short was one of the categories in the
background, but not for long. It was shortly after this that I had
started trying to watch as many of the
winning short films as I can. 9 A
lone ragdoll with the number 9 stenciled on his back works tirelessly
while a mechanical monster scouts the streets of a post-apocalyptic
landscape. The only thing we know about these two is that they will be
colliding in a battle to the death. This is the story of 9, the student
film by animator Shane Acker that was one of the most visually stunning
nominees of the year. The vivid backgrounds full of reminders of a time
gone by help present a dramatic atmosphere, while the realistic
character animation makes the tale come alive. The story is rather bare
bones. The titular character fights it out with the villainous monster
with a flashback scene to explain his motivation. Ultimately the film's
ending raises more questions than it answers. What led to the deserted
landscape? What is the connection between the rag dolls and the monster?
Who were 1-8 and what happened to them? I disliked the short when I
first saw it for this reason, but it grew on me when I came to the
realization that Acker probably left them unanswered so that the
audience can come up with their own answers. It got to the point that
when Tim Burton gave Acker a chance to present his version of the story
in the feature film, I passed on it. Or maybe I was just not in the mood
to watch a dark dramatic film. Where Can I Watch It?
It's much sharper in the DVD for the feature film of 9, but here it is online.
Badgered A
badger is trying to hibernate in his little den on the side of a
mountain, but an annoying pair of crows is preventing him from doing so.
He tries to shut them up, but the crows become the least of his worries
when the government turns his mountain into the storage site of
missiles, but maybe they can become useful to solve his other problem.
The only thing I can say about this short is that it's quite simple. The
story is quite simple, and animation is equally simple. The badger is
this big blog with four legs and eyes while the crows are bodies with
mouths attached to them. However, the simplicity is part of the film's
charm. It's not a film that presents a complex issue or stuffed to the
brim with opaque metaphors. It's just about poor badger that wants some
sleep. I'm sure we can all identify with it. Where Can I Watch It?
The Moon and the Son: An Imagined Conversation Parents
are expected to be the caretakers for their children. They must provide
for their children while giving them the guidance to help them succeed.
When parents are negligent in this task, then the outcomes would most
likely be poor. One thing I'm sure most children in these situations
would want to ask their parents...Why? That is the question that
animator and animation historian John Canemaker tries to answer in this
film, ten years after his father's death. He begins by talking with his
father from beyond the grave about his anger and introduces a traumatic
experience when his father was arrested and convicted of performing
arson on a hotel he owned. Finally, he talks with his father about his
life; his tough life in Italy and his relationship with the Mafia in
both Italy and America; his experiences in World War II; his life after
the prison term. It becomes quite clear that this film was his attempt
to come to terms with his relationship with his father. Canemaker used a
combination of old family photos and home movies with pieces of
animation. The simple yet vibrant animation allowed him to dramatize
events in the past while at the same time inserting some basic metaphors
that help add to the story, although some of them might have been
slightly distracting. John Turturro and Eli Wallach lent their voice
talents to play John and his father, and their pitch perfect
relationship made the story much more moving. The ending was a bit
disconcerting when compared to the rest of the film's tone, but it
becomes quite profound when you consider the film's purpose. Where Can I Watch It?
The Mysterious Geographic Explorations of Jasper Morello The
title is a mouthful*, and the story is equally complex. It is set in
Victorian England and tells the tale of Jasper Morello, a navigator of
steam-powered airships haunted by a costly mistake he made once upon a
time. While he deals with his own personal crisis, the society around
him is dealing with another crisis: a deadly plague that strikes most of
the population. Morello is given a second chance to serve as the
navigator for an expedition, but that means leaving his wife to care for
the plague victim. He is treated coldly by the ship's crew, but
embraced by a visiting biologist. He finds out that his wife has been
stricken by the plague, but is unable to turn around until the plague
finds its way onto the ship. The ship explores a mysterious floating
island when they find a beast whose blood can miraculously cure the
plague. The problem is, the beast feeds on human blood. This intricate
steampunk tale is both thrilling and tender. The main characters are
very well developed. Their hopes and desires are visible but never get
in the way, which adds to the film's profundity. The animation is
absolutely stunning. It is done almost completely in the silhouette
style similar to the classic The Adventures of Prince Achmed (1926),
with the plague animated as golden patches. This is a classic that is
well worth watching.
*"The Mysterious Geographic
Exploration of Jasper Morello" is 50 characters long. It doesn't quite
match up with the record for a Best Picture nominated film (Dr.
Strangelove, or How I Learned to Stop Worrying and Love the Bomb is 56
characters long), but it still holds the record for longest title for a
Best Animated Short-nominated film. There are some surprisingly long
film titles too. Here's the top 10, by characters: 9. Popeye the Sailor Meets Sinbad the Sailor (1936, 35 characters) 9. It's So Nice to Have a Wolf Around the House (1979, 35 characters) 7. The Further Adventures of Uncle Sam: Part Two (1970, 38 characters) 7. The History of the World in Three Minutes Flat (1980, 38 characters) 5. Wallace and Gromit in A Matter of Loaf and Death (2009, 39 characters) 5. The Moon and the Son: An Imagined Conversation (2005, 39 characters) 4. A Herb Alpert & the Tijuana Brass Double Feature (1966, 40 character) 3. The Fantastic Flying Books of Mr. Morris Lessmore (2011, 42 characters) 2. The Dot and the Line: A Romance in Lower Mathematics (1965, 43 characters) 1. The Mysterious Geographic Explorations of Jasper Morello (2005, 50 characters)
Where Can I Watch It?
One Man Band This hilarious short tells the story of a One Man Band next to a
near-abandoned wishing well trying to solicit the coin of a young girl.
However, a rival band is trying to do the same. The two enter into a
frantic battle of the bands that climax into all-out war. Pixar
has become synonymous with quality computer animation. However, their
animation of humans were not quite as developed as the rest of their
repertoire. The baby in Tin Toy was one of the scariest things ever
captured on film, while the humans in Toy Story were incredibly simple
compared to the rest of their surroundings. Geri's Game (1997) was a bit
of a breakthrough for Pixar in terms of realistic human animation while
staying on the safe side of the uncanny valley. One Man Band is
probably another breakthrough, this time in terms of animating human
action. The highlight
of the film is the two dueling artists and their differing styles in
both performances and battles. The tricks that the performers have are
dizzying, and it's interesting to see what else they have up their
sleeves. The animation of the performances, which I assume matches the
music, is also very strong. It's a very funny little short that is
probably one of Pixar's best. Where Can I Watch It?
---------------------------------------------
There
were some very good films this year. The Moon and the Son won the
Oscar, and I can't really quibble with the pick. It was a terrific
combination of animation and live action to tell a very personal yet
quite moving tale. However, my pick would have been The Mysterious
Geographic Explorations of Mr. Jasper Morello. It combines an excellent
storyline with terrific animation. But I'm not going to be sad about it
like I would in 2006.
My rankings (by quality): The
Mysterious Geographic Explorations of Jasper Morello > The Moon and
the Son > One Man Band > 9 > Badgered
My rankings (by preference): The
Mysterious Geographic Explorations of Jasper Morello > The Moon and
the Son > One Man Band > Badgered > 9
Reading your opinions on "9" made me think of what it was liKed about some films as well when you're left asking questions about the world and the characters in that world. Certainly some filmmakers like to leave important matters out of the story itself, but often the key to a good film I feel is in it's exploration. Sometimes it may work, other times it doesn't. It could be an unequel balanace between "Show" and "Tell" when it comes to plotting and cinematography.
I think I first saw "Badgered" c/o somewhere on the interent, either illegitimately or not, but it's been so long I can't remember where, but much of what I thought about it mirrors your thoughts exactly. It's a simple, quaint film with an adequate resolution.
I'll have to see Jasper Morello someday (as well as The Moon & The Son).
Reading your opinions on "9" made me think of what it was liKed about some films as well when you're left asking questions about the world and the characters in that world. Certainly some filmmakers like to leave important matters out of the story itself, but often the key to a good film I feel is in it's exploration. Sometimes it may work, other times it doesn't. It could be an unequel balanace between "Show" and "Tell" when it comes to plotting and cinematography.
ReplyDeleteI think I first saw "Badgered" c/o somewhere on the interent, either illegitimately or not, but it's been so long I can't remember where, but much of what I thought about it mirrors your thoughts exactly. It's a simple, quaint film with an adequate resolution.
I'll have to see Jasper Morello someday (as well as The Moon & The Son).