Well, the Academy screening committee has viewed all of the qualifying films for this year's Best Animated Short race, and they've put in their ratings. And the fine folks at PriceWaterhouse Cooper have tabulated all of the ratings, and from that they've figured out the ten films with the highest rating, which were announced last Thursday. These are the ten films that will be moving on, to face another round of showings to be seen by the nominating committee, who will put in their own rankings. The five films with the highest average score will become the nominees to be announced in January. Meanwhile the 50 films that have not made it into the shortlist will be there, either online or in somebody's collection, but largely forgotten.
But let's not concern ourselves about those fifty films. We're here to focus on the Best Animated Short category, so let's take a look at the ten films that still have a shot, first for a nomination and then for the win. One of these will be the winner. Which one will it be?
Apologies for the late entry, almost a week after the shortlist was announced. I'm sure I could have found time between interview and Ponyville Ciderfest, and dealing with a cold, but as it stands, I was far from being the first blogger to have a more detailed look at the shortlisted films. Tim from the Film Experience, a much more prolific animation historian, beat me to it, but hey, mine has trailers and stuff.
Here are the previous entries about the shortlist.
Top 5 films 2009-2013 that were not nominated
Autos Portraits (Carface)
Automania 2000 to NFB's own What on Earth?. (You can also possibly include The Romance of Transportation in Canada and Let's Pollute.) While this film is currently not online (although National Film Board has usually been pretty good about getting Oscar contending films uploaded before nominations are out), it's been described as being "car-hating," which means it's probably going to be pretty scathing. Based on the description it probably seems apt for the cars to be singing the Oscar winning song Que Sera Sera (Whatever Will Be Will Be). The song advocates a feeling of come what may, and to have cars singing it despite their contributions in ruining the environment seems to have the proper amount of irony. Maybe the Martians in What On Earth were right in that the world belongs to the cars and we're just living in it. The trailer sure gives a feel of What on Earth
Chez Moi (My Home)
My Home that tells the descendant of a Holocaust survivor and her decision to live in Germany. I thought that was the film that qualified, because it's the Holocaust! However, when the shortlist came out it turned out that the shortlisted film was one directed by a French-Vietnamese filmmaker named Mai Nguyen. This film tells the story of Hugo, who deals with a mystery involving his mom when he wakes up. Too bad, because the German/Israeli co-production looks more interesting with more appealing animation. Although the film may not be completed yet, so could it be a contender for 2016? Meanwhile have a trailer for the shortlisted film.
Historia de Un Oso (Bear Story)
If I Was God...
The Cat Came Back and Strange Invaders? He didn't quite strike gold with his last effort Runaway, which at least made the Shortlist, but he's back for another attempt with his latest film, If I Was God..., which takes his zany style and takes it into the medium of stop motion animation. The trailer sure looks to be the case, but even then with Cordell Barker you never know what to expect.
Love in the Time of March Madness
documentary about another basketball player, and now she is back with an autobiographical film about her early life difficulties trying to fit in despite her prodigious height. The trailer shows some interesting design all in black and white. While the film makes reference to basketball, and sport films have generally not done too well in the Oscars, but it seems like it's more of a human interest story, and maybe that will appeal to the Academy.
An Object at Rest
Das Rad. Plus the mountain goes through a very interesting transformation that forms a nice little arc. Given the fact that this is one of the few films on the shortlist that I've actually seen I could write a little more about it, but why not just watch it yourself? If it does get nominated I'll just deal with a more comprehensive review later. I will note that this is a thesis film from Seth Boyden, a student at CalArts. Considering the list of CalArts alumni include Oscar winner John Lasseter, Powerpuff Girls founder Craig McCracken and his wife, potential future Oscar winner Lauren Faust, I think this won't be the last the animation world hears about Seth Boyden.
A Christmas Carol, and then a Best Visual Effects and an honorary Oscar for his work on Who Framed Roger Rabbit? He is probably best known for his unfinished masterpiece The Thief and the Cobbler, a film that was so mind-blowing in execution that the studios couldn't help but tinker with it and ruin it, turning it into the mangled The Princess and the Cobbler. Twenty years after that fiasco, Richard Williams is finally back to make a film that he's wanted to make almost his entire life. After years of work, it is finally finished and ready for competition. It is a film called Prologue. Not much is known about the film other than the fact it's about the Spartan/Athenian war and that it's so complicated on an animation level that he didn't start to try to make it until his 70s. The trailer has two minutes of Williams talking about animation and 23 seconds of footage, but what it shows is something quite awe-inspiring in its depiction of action. It's something worth waiting for and worth watching...as long as no film executive try to mess with it.
Sanjay's Super Team
For the Birds. Since then they've had seven wins in the Best Animated Feature category and none in the Best Animated Short category. Well, they are trying again with Sanjay's Super Team, the film attached to the upcoming masterpiece The Good Dinosaur. This story explores the complicated relationship between tradition and modern pop culture. There may be some concern about how Pixar will handle such a sensitive topic, but Pixar's always been good about treating emotional topics with skill, and the director is the son of Indian immigrants and based the story on his own experiences. So it should be worth watching in theaters on Thursday.
We Can't Live Without Cosmos
The Old Man and the Sea (although My Love is my favorite film of his.) He was later joined by Konstatin Bronzit, whose Lavatory Lovestory was nominated in 2008. The film was well received for its tender emotions and simple animation. A few years later came his follow up, We Can't Live Without Cosmos. The film was initially touted by Cartoon Brew as a possible contender for the Best Animated Short Oscar last year, but it ended up not qualifying until this year. This appears to follow the same formula as Lavatory, with simple animation and presumably powerful emotions. But because I haven't gone to film festivals or the Animation Show of Shows, I haven't actually seen it. Oh well.
World of Tomorrow
Rejected, which later became an online cult classic even more well known than the film that won the Oscar that year. However, after that early success, the Academy had kind of glossed over the rest of Hertzfeldt's work, which seem to steered away from the black humor of Rejected and more into serious contemplation. Even the three short films that make up his magnum opus It's Such a Beautiful Day were denied nomination despite being on the qualifying list (although the first film Everything Will Be OK made it onto the shortlist). After years of working with pen and paper, World of Tomorrow marks Hertzfeldt's debut in the world of digital media (alongside an especially memorable Simpsons couch gag). He was initially going to keep it to himself but the 16-minute film he crafted was so full of tender emotions that he had to release it to the public, which he did through Vimeo on Demand. There is much I can say about this film's story and animation, but I'll let you watch it yourself. I will note the exceptional voice acting, which includes animator Julia Pott (Belly) as Emily from the future and Hertzfeldt's own niece as Emily Prime. The stark differences between the jaded Emily of Tomorrow and the innocent Emily Prime gives the film much of its dramatic impact. I could say more, but why don't you just watch it for yourself?
Here we go. The ten shortlisted films. The next step is to try to guess which five will move on and get a nomination, which is harder than one might expect. This really is up to the whims of the animation committee, and even years of watching all of the nominated films make it hard for me to come up with common themes between nominees. As a result I hardly ever get it right. As it stands, I'm guessing they reject Hertzfeldt again giving us a nomination list that is as follows:
Historia de un Oso
Sanjay's Super Team
We Can't Live Without Cosmos
Bold, I'm sure, but hey, that's the beauty of the time period after the shortlist is announced and the nominees are set in stone. You can predict anything you want.