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| You stay classy, Rainbow Dash |
Of course, as you can probably tell that's not the reason for this review. It's been a while since I did a review on a film that wasn't nominated for Best Animated Short. The last one I did was Oink back in May. The last time I did a review on an animated film nominated in a different category was Sunrise over Tiananmen Square from April. Sunrise was nominated in 1998, and now we are at the 1968 review, a difference of 30 years. It's not that there hasn't been an animated film nominated in this category in the years in between. The Colours of My Father: A Portrait of Sam Borenstein utilized animation in telling the story and the art style of a famous Canadian artist, and was nominated in 1992. However, the film is not available online, and my efforts to acquire a copy of the DVD failed, probably because my address was in flux at the time. (I really should ask NFB for a refund.)
However, animation was featured quite prominently in Why Man Creates, the documentary from legendary graphic designer Saul Bass that was nominated for the Best Documentary Short film Oscar in 1968.

