Monday, November 28, 2016
Best Animated Short 2016 - The Shortlist
Well, it took a while but the Academy has finally announced the ten films moving on among the 70 that qualified, some of which I profiled a few weeks ago. Yes, I know that I'm five days late. No, I don't have any valid excuses. And no, I don't think anybody cares because I doubt anybody is still reading this blog, and I'm just doing this because I like to waste my time and am doing this for completionist's sake. Don't think I'm giving up on the category. I'm still doing all that I can to watch these films in my limited can't-go-to-festivals capacity. In fact I've seen three of the shortlisted films on the day of the announcement. That still leaves five films that I have yet to see. Watch those five get nominations. Anyways, surprisingly (or maybe not so surprisingly as unlike me, Amid Amidi knows what he's talking about), all of the films were featured in the profile. So maybe this may go quicker as my views may not change for films I haven't seen.
Gloria Victoria, a film which juxtaposes stunning and sometimes horrifying imagery with Shostakovich's Leningrad Symphony to paint a startling portrait of the horrors of war. This one seems like it may take on more of an actual plot, being based off of a short story and all, but from the trailer (the actual film is not yet available online, although here's hoping NFB would make it available before long) it seems like it is stylistically similar to Gloria Victoria. We won't know unless we watch it.
The Dam Keeper as independent films made as side projects by animators for major animation studios. This one is certainly quite impressive. I was struck by the detail of the animation the first time I watched it, but after rewatching it for the purpose of this post, I am struck by the level of detail in other aspects such as the lighting. The storyline is fairly simple, but it can certainly be further explored in a way that Robert Kondo and Dice Tsutsumi are doing for The Dam Keeper. Sadly, the full version that was posted on Vimeo has been removed. There are a few versions available uploaded by other people, but I don't expect those to stay up for very long.
short film clip featuring the tractor driver and his love of beverages in bottles and some poor sap getting run over. The animation seems to be a lot like the independent animation that you find on Cartoon Network back in the mid-1990s, which if you think about it kind of makes sense, since this is an independent film.
The Head Vanishes
Paperman and Feast. It seems to have more than a cursory resemblance to several other Disney short films on the past. In my preview, I had compared it to Reason and Emotion, the WWII propaganda film disguised as being a documentary-like look at the forces that guide our decisions. Now that I've seen the film (which is playing before the excellent Moana...have a trailer instead.), I can safely say that this is essentially Reason and Emotion minus the WWII propaganda, with the brain taking the role of Reason and the heart taking the role of Emotion. I wasn't expecting it to be an accurate look at how the human body operates, but somehow making these important organs taking on these stereotyped roles makes me kind of disappointed. That's not to say Inner Workings is a bad film. It's very funny and very entertaining. Some of the scenarios that the brain/Reason is trying to avoid is downright Bill Plympton's Guard Dog. It seems to be virtually guaranteed a nomination, but we'll see if it can continue Disney's Even Year Magic.
Once Upon a Line
The Janitor in 1994, and Shane Acker did the same for 9 in 2005. Just last year An Object at Rest made it onto the shortlist, although it did not get a nomination. This year USC's Alicja Jasina is the student animator whose film made it onto the shortlist. We shall see if she can join Schwartz and Acker with the nomination. There's not much I can say about the film itself as there is only a trailer available, but the minimalist look and interesting use of color helps make it stand out.
Pear Cider and Cigarettes
As a young boy growing up in Vancouver, animator Robert Valley became friends with Techno Stypes, a free spirit whose athletic achievements earned him the admiration of all of the kids in the neighborhood. As they grow up, Techno's carefree style eventually leads to self-destructive behavior and the two grow apart. One day Robert finds himself with a thankless task: going to China to make sure Techno, now suffering from cirrhosis of the liver, gets a liver transplant. Pear Cider and Cigarettes was the longest film among the films profiled, clocking in at an impressive 34 minutes and 49 seconds. The trailer made it seem like an unbelievable tail, full of fighting and lots and lots of drinking. I was a little surprised to hear later on that the film is largely autobiographical. It was the culmination of several years of hard work by animator Robert Valley, who had worked on TV series like Aeon Flux and Tron: Uprising. It paints Techno as a sort of a Greek tragic hero, a larger than life figure who winds up in a cycle of self destruction. This characterization is even more pronounced with Valley's animation style with exaggerated movement and unusual camera angle, heightening the sense of awe. It's available behind a paywall on Vimeo on Demand, and it's certainly worth a watch, even if it doesn't get a nomination.
Duet, which made it onto the shortlist in 2014. Pearl is by another former Disney animator, Patrick Osborne, whose film Feast won the Oscar the same year that Duet debuted. The story is a fairly straightforward but heartwarming one telling about the ties that connect two different generations, in this case the car Pearl as well as the song "No Wrong Way Home" by Alexis Harte and performed by Kelley Stoltz and Nicki Bluhm. The animation features the kind of rough animation that is similar to the one seen in Feast which is serviceable. The 360-degree animation is impressive, but kind of annoying when you're watching it on the computer or phone and trying to figure out what angle to focus on. It's an immersive experience, but something I can live without. This is incidentally also the only shortlisted film readily available online not behind a paywall, but only in the 360 Spotlight version.
For the Birds all the way back in 2001. Perhaps they can get their fourth win by going back to the birds. Piper was a film that played before the blockbuster Finding Dory. It features an astounding advancement in photo-realistic animation as the sand and water effects are something quite advanced. What makes the film such a winner in people's hearts is the heartwarming story of a young animal trying to come of age on its own. People love cute animals and boy is Piper adorable. The animals are animated in such a way that gives it enough humanity to make them relatable and yet captures enough of their qualities that makes them cute although not in a nauseating way. It's a strong film that fits in well within the Pixar short film canon. It was made available online for a time and there are still bootleg versions that haven't been removed yet. But it's also available on Finding Dory DVDs and on the iTunes store, so watch it if you can.
Sous Tes Doigts (Under Your Fingers)
trailer is available.
Well, that took long enough, but here are the ten shortlisted films. As far as who I think the nominations will be, for a guy that spends so much time "studying" this category, I do very poorly in terms of predicting the nominations. I've averaged 3/5 of the nominees, picking exactly 12 of the 20 nominees in the four years I've been reviewing the shortlist (2/5 in 2012, 3/5 in 2013, 3/5 in 2014, 4/5 in 2015). I've seen half of the shortlisted films and it would be nice if all five of them can get nominated, but that isn't likely to happen. It's entirely possible that the Academy nominates none of the five I've seen, although I think that's even less likely to happen because I'm pretty sure Inner Workings and Piper are picking up nominations. Of the remaining three I think Borrowed Time and Pear Cider and Cigarettes stand pretty good shots, leaving Pearl as the odd film out. As far as which of the other five will take the fifth spot, it's hard to say as I haven't seen any of them (which is partially why it is so hard to predict.) I'm going to go ahead and go with The Head Vanishes, which makes the final lineup
The Head Vanishes
Pear Cider and Cigarettes
Of course The Film Experiences's Nathaniel Rogers disagrees on Borrowed Time and Pear Cider and Cigarettes. Who's to say? Anyways, as far as the five that I've seen
My rankings (by quality)
Piper > Pear Cider and Cigarettes > Borrowed Time > Pearl > Inner Workings
My rankings (by preference)
Piper > Pear Cider and Cigarettes > Inner Workings > Borrowed Time > Pearl